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| 60's embroidered silk dress |
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| Audrey Hepburn in Givenchy |
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| Grace Kelly |
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| Vogue Paris |
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| Givenchy 1966 |
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| Jackie Kennedy |
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| Vogue 1963 |
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| Jessica Paré in Mad Man |
Showing posts with label jackie kennedy. Show all posts
Showing posts with label jackie kennedy. Show all posts
Tuesday, March 12, 2019
SIXTIES AGAIN AND AGAIN
They never bore us, the 1960s probably were among the most revolutionary in the world of fashion, and even today they are an inspiration for many designers and young fashionistas
Related Article:http://www.scostumista.com/2019/03/spring-sixties.html
Wednesday, March 14, 2018
THE ORIGIN OF A WONDERFUL DRESS
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| Ports 1961 F/W 2018-19 |
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| Giambattista Valli Haute Couture S/S 2018 |
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| Carolina Herrera F7W 2017-18 |
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| Karlie Kloss in Stella McCartney Oscar 2017 |
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| Valentino F/W 2015-16 |
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| Gwyneth Paltrow in Tom Ford Oscar 2012 |
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| Jackie Kennedy in Oleg Cassini 1961 Inaugural ball |
Tuesday, March 13, 2018
AU REVOIR HUBERT DE GIVENCHY
Hubert de Givenchy made his debut at the age of 25 in 1952. He had immediate success. There was no newspaper that does not speak of the blouse "Bettina", which bears the name of the most popular model of the time.
The year after the decisive meeting with Audrey Hepburn, his absolute muse, she modelled many signatures pieces by Givenchy that made debut in the famous movie Breakfast at Tiffanys and many of her other films. Hepburn was also spotted wearing his pieces in her personal life as well.
Givenchy's most famous signature pieces was the sack dress (1953), the wraparound cloak (1958), the balloon skirt, the 'bustier' dress (1969).
Comfort and elegance was the key that Givenchy wanted to create in his line. He created outfits inspired by active wear which were: apron dresses, impeccable suits and floral trousers.
Despite the apprenticeship with Jacques Fath, Robert Piguet and Elsa Schiaparelli,
Christobal Balenciaga was his icon, the one he considers the master of architectural and sculptural creation of dresses.
When the Spanish tailor in 1968 retires from high fashion, he inherited the prestigious clientele: actresses and women of the international jet set like the Duchess of Windsor, Lauren Bacall, Grace Kelly, Greta Garbo, Marlene Dietriche and Jacqueline Onassis.
After more than 30 years of success in 1988, LVMH Group took ownership of the Givenchy company and in 1995 was his fashionable farewell.
The creative direction of the brand was entrusted to John Galliano, then to Alexander McQueen, and from 2001 to 2004 to Julien Macdonald, until last year with Riccardo Tisci. The creative director today is the talented Clare Waight Keller who carries on the name and the heritage of the brand. Hubert de Givenchy passed away three days ago on March 10th at the age 91.
Hubert de Givenchy debutta a 25 anni nel 1952. Il successo è immediato. Non c'è giornale che non parli della blusa "Bettina", che porta il nome della modella più richiesta dell'epoca. L'anno dopo l'incontro decisivo con Audrey Hepburn, la sua musa assoluta, indosserà nei film come nella vita i suoi modelli: l'abito a sacco (1953), il mantello dal collo avvolgente (1958), la gonna a palloncino, l'abito a bustino (1969).
Gli abiti ispirati allo sport, gli abiti grembiule, i tailleur impeccabili, i pantaloni a fiori, comfort ed eleganza sono la linea che svilupperà Givenchy.
Nonostante l'apprendistato da Jacques Fath, da Robert Piguet e da Elsa Schiaparelli, è Christobal Balenciaga il suo mito, colui che considera suo maestro nella creazione architetturale e scultorea dell'abito. Quando il sarto spagnolo nel '68 si ritira dall'alta moda, ne eredita la clientela prestigiosa: attrici e donne del jet set internazionale come la duchessa di Windsor, Lauren Bacall, Grace Kelly
Greta Garbo, Marlene Dietriche e Jacqueline Onassis.
Dopo più di 30 anni di successi nel 1988 il passaggio della proprietà della maison al Gruppo LVMH. Nel 1995 l'addio alla moda. La direzione creativa del brand fu affidata a John Galliano, successivamente ad Alexander McQueen, e dal 2001 al 2004 a Julien Macdonald, fino allo scorso anno alla guida c'era Riccardo Tisci e adesso spetta alla talentuosa Clare Waight Keller portare avanti il nome e l'eredità della Maison.
Hubert de Givenchy muore tre giorni fa, il 10 Marzo a 91 anni.
Givenchy's most famous signature pieces was the sack dress (1953), the wraparound cloak (1958), the balloon skirt, the 'bustier' dress (1969).
Comfort and elegance was the key that Givenchy wanted to create in his line. He created outfits inspired by active wear which were: apron dresses, impeccable suits and floral trousers.
Despite the apprenticeship with Jacques Fath, Robert Piguet and Elsa Schiaparelli,
Christobal Balenciaga was his icon, the one he considers the master of architectural and sculptural creation of dresses.
When the Spanish tailor in 1968 retires from high fashion, he inherited the prestigious clientele: actresses and women of the international jet set like the Duchess of Windsor, Lauren Bacall, Grace Kelly, Greta Garbo, Marlene Dietriche and Jacqueline Onassis.
After more than 30 years of success in 1988, LVMH Group took ownership of the Givenchy company and in 1995 was his fashionable farewell.
The creative direction of the brand was entrusted to John Galliano, then to Alexander McQueen, and from 2001 to 2004 to Julien Macdonald, until last year with Riccardo Tisci. The creative director today is the talented Clare Waight Keller who carries on the name and the heritage of the brand. Hubert de Givenchy passed away three days ago on March 10th at the age 91.
Hubert de Givenchy debutta a 25 anni nel 1952. Il successo è immediato. Non c'è giornale che non parli della blusa "Bettina", che porta il nome della modella più richiesta dell'epoca. L'anno dopo l'incontro decisivo con Audrey Hepburn, la sua musa assoluta, indosserà nei film come nella vita i suoi modelli: l'abito a sacco (1953), il mantello dal collo avvolgente (1958), la gonna a palloncino, l'abito a bustino (1969).
Gli abiti ispirati allo sport, gli abiti grembiule, i tailleur impeccabili, i pantaloni a fiori, comfort ed eleganza sono la linea che svilupperà Givenchy.
Nonostante l'apprendistato da Jacques Fath, da Robert Piguet e da Elsa Schiaparelli, è Christobal Balenciaga il suo mito, colui che considera suo maestro nella creazione architetturale e scultorea dell'abito. Quando il sarto spagnolo nel '68 si ritira dall'alta moda, ne eredita la clientela prestigiosa: attrici e donne del jet set internazionale come la duchessa di Windsor, Lauren Bacall, Grace Kelly
Greta Garbo, Marlene Dietriche e Jacqueline Onassis.
Dopo più di 30 anni di successi nel 1988 il passaggio della proprietà della maison al Gruppo LVMH. Nel 1995 l'addio alla moda. La direzione creativa del brand fu affidata a John Galliano, successivamente ad Alexander McQueen, e dal 2001 al 2004 a Julien Macdonald, fino allo scorso anno alla guida c'era Riccardo Tisci e adesso spetta alla talentuosa Clare Waight Keller portare avanti il nome e l'eredità della Maison.
Hubert de Givenchy muore tre giorni fa, il 10 Marzo a 91 anni.
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| Audrey Hapburn e Hubert de Givenchy |
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| Audrey Hapburn |
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| Blusa "Bettina" |
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| Abito a sacco |
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| Audrey Hepburn |
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| Jackie Kennedy |
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| Audrey Hapburn |
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| Audrey Hapburn e Hubert de Givenchy May Fair Lady Premiere |
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| Audrey Hapburn |
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| Audrey Hapburn e Hubert de Givenchy |
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| Audrey Hapburn e Hubert de Givenchy 1980 |
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| Audrey Hapburn Breakfast at Tiffany |
Thursday, February 1, 2018
70's WHITE GOWN
White gown became a popular option in 1840, after the marriage of Queen Victoria to Albert of Saxe-Coburg, when Victoria wore a white gown trimmed with Honiton lace. Illustrations of the wedding were widely published, and many brides opted for white in accordance with the Queen's choice.
But today you don't have to think about a wedding dress if you wear a long and white dress. It gives more light than a black dress, it's less ordinary and more dramatic than black one, and at the first sight skin acquires freshness.
Many stars have chosen to wear white gowns for photo shoots, red carpet and important events.
Have a look to the gallery below:
CLOSET CASTLE di Annapaola Brancia d'Apricena
Related Article:http://www.scostumista.com/2018/02/im-not-bride.html
But today you don't have to think about a wedding dress if you wear a long and white dress. It gives more light than a black dress, it's less ordinary and more dramatic than black one, and at the first sight skin acquires freshness.
Many stars have chosen to wear white gowns for photo shoots, red carpet and important events.
Have a look to the gallery below:
CLOSET CASTLE di Annapaola Brancia d'Apricena
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| 70's silk "charmeuse" white gown |
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| Herper's Bazaar 1974 - Jean Shrimpton |
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| Audrey Hepburn in Givenchy 1966 - Jean Shrimpton |
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| Jackie Kennedy - Lauren Hutton |
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| Balenciaga 1957 - Pierre Cardin 1970 |
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| Romy Schneider - Sophia Loren |
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| Audrey Hepburn in Givenchy - Charlotte Rempling |
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| Dior 1963 - Dior 1972 |
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| Grace Kelly - Jean Shrimpton |
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| Catherine Deneuve in "Belle de Jour" - Ursula Andress on set "007 Casino Royal" |
Monday, September 7, 2015
SIXTIES DRESS AND SHOES
During the sixties, for the first time, London, not Paris, was the center of the fashion world.
Mary Quant, Twiggy and Jean Shrimpton, the Swinging London influenced the catwalks of the time. Bright, swirling colors, news materials such as plastics and shiny metallic fabrics, short skirts, optical pattern and "A line" for dresses and coat. A young fashion that creates a break with the sober and sophisticated clothes worn by "the ladies" of the 50's.
Negli anni '60, per la prima volta è Londra e non Parigi a dettare le regole della moda.
Mary Quant, Twiggy e Jean Shrimpton, la Swinging London influenzano le passerelle dell'epoca.
Colori brillanti e vivaci, nuovi materiali come plastica e tessuti metallici, gonne cortissime. disegni optical e linee a trapezio per gli abiti e capispalla. Una moda giovane che crea una rottura con gli abiti sobri e sofisticati indossati dalle "lady" degli anni '50.
CLOSET CASTLE di Annapaola Brancia d'Apricena
Renewed findings from the coffer of a castle
Related Article:http://www.scostumista.com/2015/09/little-dress-and-ruins.html
Mary Quant, Twiggy and Jean Shrimpton, the Swinging London influenced the catwalks of the time. Bright, swirling colors, news materials such as plastics and shiny metallic fabrics, short skirts, optical pattern and "A line" for dresses and coat. A young fashion that creates a break with the sober and sophisticated clothes worn by "the ladies" of the 50's.
Negli anni '60, per la prima volta è Londra e non Parigi a dettare le regole della moda.
Mary Quant, Twiggy e Jean Shrimpton, la Swinging London influenzano le passerelle dell'epoca.
Colori brillanti e vivaci, nuovi materiali come plastica e tessuti metallici, gonne cortissime. disegni optical e linee a trapezio per gli abiti e capispalla. Una moda giovane che crea una rottura con gli abiti sobri e sofisticati indossati dalle "lady" degli anni '50.
CLOSET CASTLE di Annapaola Brancia d'Apricena
Renewed findings from the coffer of a castle
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| 60's "little A dress" with rhinestones under breast and matching shoes |
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| Jenny Boyd 1966 |
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| Dior 1966 |
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| Jackie Kennedy |
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| Edie Sedwick |
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| Jean Shrimpton |
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| ph. David Bailey |
Related Article:http://www.scostumista.com/2015/09/little-dress-and-ruins.html
Tuesday, December 17, 2013
SIXTIES BAG
Less practical of current bags, where we can put everything, during the sixties bags were smaller, often stiff, and with short handles to hold just a lipstick, face powder, a little mirror and a kleenex pocket.
Meno pratiche delle borse attuali dove riusciamo a farci entrare una casa, negli anni '60 le borse erano più piccole, spesso rigide e con i manici corti, per contenere giusto un rossetto, la cipria, uno specchietto e un pacchetto di kleenex!
CLOSET CASTLE di Annapaola Brancia d'Apricena
Renewed findings from the coffer of a castle
Dal baule di un castello ritrovamenti e riadattamenti
Meno pratiche delle borse attuali dove riusciamo a farci entrare una casa, negli anni '60 le borse erano più piccole, spesso rigide e con i manici corti, per contenere giusto un rossetto, la cipria, uno specchietto e un pacchetto di kleenex!
CLOSET CASTLE di Annapaola Brancia d'Apricena
Renewed findings from the coffer of a castle
Dal baule di un castello ritrovamenti e riadattamenti
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| Borsa pelle nera anni '60 60's black leather bag |
SIXTIES WITH A BAG
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| Grace Kelly |
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| Grace Kelly with Stéphanie |
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| Grace Kelly |
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| Ingrid Bergman with Isabella Rossellini |
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| Audrey Hepburn |
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| Jackie Kennedy |
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| Jackie Kennedy |
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| Claudia Cardinale |
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| Catherine Deneuve with David Bailey |
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| Catherine Deneuve in "Belle de jour" by L. Buñuel |
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| Monica Vitti in "L'Avventura" by M.Antonioni |
Related Article:http://www.scostumista.com/2013/12/lovebag.html
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