VENICE FILM FESTIVAL:NATALIE PORTMAN IN CHRISTIAN DIOR

The cape-dress by Christian Dior wore by Natalie Portman at the 75' Venice Film Festival for the 'Vox Lux' photocall, it's a short version of cape-dresses wore by Karlie Kloss at the Oscar 2017 and Gwyneth Paltrow at the Oscar 2012.
In any case Natalie Portman is simply stunning.

Karlie Kloss wore a Stella McCartney cape-dress for the Oscars red carpet 2017

Gwyneth Paltrow walked the 2012 Oscars red carpet in a white Tom Ford dress with cape

VENICE FILM FESTIVAL: CATE BLANCHETT IN ARMANI PRIVE'

Cate Blanchett,  the most elegant ever. The actress walks the red carpet of  75' Venice Film Festival before 'Suspiria'  premiere in a stunning one-shoulder silver and black dress by Armani Privé  from the F/W 2018-19 Haute Couture collection.

VENICE FILM FESTIVAL: TILDA SWINTON IN HAIDER ACKERMANN

Tilda Swinton look gorgeous at the photocell and press conference in Venice Film Festival for the Luca Guadagnino's re-imagining of Dario Argento’s classic chiller “Suspiria. The actress and style icon wore a chartreuse co-ord by Haider Ackermann FallWinter 2018-19 collection. Perfect choice for the mint pumps.

VENICE FILM FESTIVAL:LADY GAGA IN VALENTINO

"A star is Born"- Lady Gaga arrives at Venice film Festival for the premier of "A star is born". The star arrived by boat wearing a giant pale pink feathers dress by Valentino from Haute Couture F/W 2018/19 Collection.
Two days ago, for the ‘First Man’ premiere & Opening Ceremony also Claire Foy has choose a evening dress by the same Valentino Couture collection, but the actress, known for the role of Queen Elizabeth of the hit TV series, opted for a most sober gown: a candy pink dress with fringed red scarf detail.

Lady Gaga in Valentino Couture

Claire Foy in Valentino Couture

VENICE FILM FESTIVAL:EMMA STONE IN FENDI

Emma Stone arrives at the second day of the 75th Venice Film Festival, she wear a co-ord chiffon blouse and pleated skirt with delicate floral print from the Fendi Resort 2019 collection. She came at the Festival to presents her last work: "The Favourite" directed by Yorgos Lanthimos. The film narrates the close relationship between Queen Anne (Olivia Colman) and Sarah Churchill (Rachel Weisz) is threatened by the arrival of Sarah's cousin, Abigail Masham (Emma Stone), resulting in a bitter rivalry to be the Queen's favourite.

VENICE FILM FESTIVAL:NAOMI WATTS IN ARMANI

Naomi Watts arrives in Venice with her stylist Jeanann Williams by her side. For these 10 days of festival they have chosen comfortable and beautiful gowns. For the first day Naomi wears a romantic aquamarine chiffon dress by Giorgio Armani from the S/S2019 Resort Collection, mixed with white accessories like sneakers, blazer, bag and a wide-brimmed hat.

MAYA DEREN AT VENICE FILM FESTIVAL

Ieri al festival di Venezia è stato molto applaudito "Meshes of the afternoon", il corto completamente restaurato di Maya Deren, la regista  su cui ho fatto la mia tesi di laurea. Enigmatica, esuberante, iper creativa, fuori dagli schemi, problematica, ma soprattutto molto complessa,  Maya Deren è considerata la madre del cinema underground americano tanto che la sala principale dell'Anthology film archive di New York, il tempio dei film indipendenti, è dedicata proprio a lei. "Meshes of the Afternoon" è il primo corto di Maya Deren, forse anche il più riuscito.  E' stato girato nel 1943 dalla regista appena venticinquenne insieme al  marito Alexander Hammid con una cinpresa Bolex 16mm di seconda mano. E' un  corto lirico e suerreale, dalle immagini fortemente simboliche tra le più belle mai viste sullo schermo ( riprese anche da David Lynch nel suo "Strade perdute").  Ho trovato la versione non restaurata su Youtube e ve la posto qua, mi racomendo non struggetevi per trovare un senso univoco, perché il senso lo crea lo spettatore con la sua interpretazione!

Yesterday at the Venice Film Festival was a lot applauded "Meshes of the afternoon", the  short film by Maya Deren,  the director I did my thesis on, fully restored. Enigmatic, exuberant, hyper creative, unconventional and problematic, but also very complex, Maya Deren is considered the mother of American underground cinema so that the main hall of the Anthology film archive in New York, the temple of independent films, is dedicated to her. "Meshes of the Afternoon" is the first short film by Maya Deren, perhaps the most successful. It 'was filmed in 1943 by the director that was  just twenty-five years old with her husband Alexander Hammid with a secon hand  Bolex 16mm. The short film is surreal and lyric with highly symbolic images, some of the most beautiful ever seen on the screen (shooting also by David Lynch in his "Lost Highway"). I found the  not restored version on Youtube and I post it here. Don’t worry if you don’t find a unique sense, the sense is created by the viewer!